Steve Hockensmith, 2011, Quirk Books
When Fitzwilliam Darcy is nipped by a rampaging Dreadful, his bride, Elizabeth Bennet, knows that the only proper course of action is to behead him. But when she learns of a miracle cure being developed in London, she will stop at nothing for one last chance to save the man she loves - even if it means playing into the hands of Darcy's hateful and calculating aunt, Lady Catherine!
If you've enjoyed the first two books in the Pride and Prejudice and Zombies series, you'll certainly enjoy this third (and supposedly final) installment, penned by the author of the second book, Dawn of the Dreadfuls. As with Dawn, Dreadfully Ever After recounts the continuing adventures of the zombie-killing Bennet sisters in a manner that perfectly captures the tone of Austen's original text, albeit with an at-times OTT satirical edge (which isn't a criticism, by the way). Hockensmith goes all-out to give the series a worthy send-off, delivering a fast-paced plot filled with intrigue, action, gore, and masses of zombie- and ninja-related action. The familiar themes of class and social expectations are revisited, with additional issues of race, feminism and politics examined in rather more detail than in the previous books. The characters, as always, are pure Austen - zombie-killing aside - with much of the humour derived from setting such folk against the backdrop of a zombie-infested England. In short, Dreadfully Ever After is an extremely fun read, and one I'd recommend to anyone who doesn't take their zomfic too seriously.
It's safe to say that, in the literary mash-up subgenere created by the original Pride and Prejudice and Zombies, this trilogy stands head-and-brains above all other such titles, and is well worth reading, regardless of how one may feel about mash-ups in general.
Monday, April 11, 2011
Sunday, April 3, 2011
News: Dymocks Southland Bestselling Zombie Titles for March 2011
While March was a fairly slow month for sales in Dark Fiction (horror, paranormal and dark fantasy) in general, zombie titles fared quite well, with a sharp influx of both new and 'classic' undead titles arriving in store, many of which made it onto the month's bestseller list.
1. Pontypool Changes Everything - Tony Burgess
2. Chasers (Alone #1) - James Phelan
3. Eden - Tony Monchinski
4. The Walking Dead (Book #1) - Robert Kirkman
5. The Mammoth Book of Zombie Comics - Various
6. Dead City - Joe McKinney
7. Rot & Ruin - Jonathan Maberry
8. Apocalypse of the Dead - Joe McKinney
9. The Dead (The Enemy #2) - Charlie Higson
10. Zombies: Encounters With the Hungry Dead - ed. John Skipp
Other new arrivals include Dead Set (ed. Joe McKinney & Michelle McCrary), Best New Zombie Tales (volumes #1 & #2, ed. Roy Daley), Pride & Prejudice & Zombies: Dreadfully Ever After (Steve Hockensmith), Empire (David Dunwoody) and Hungry For Your Love (ed. Lori Perkins).
1. Pontypool Changes Everything - Tony Burgess
2. Chasers (Alone #1) - James Phelan
3. Eden - Tony Monchinski
4. The Walking Dead (Book #1) - Robert Kirkman
5. The Mammoth Book of Zombie Comics - Various
6. Dead City - Joe McKinney
7. Rot & Ruin - Jonathan Maberry
8. Apocalypse of the Dead - Joe McKinney
9. The Dead (The Enemy #2) - Charlie Higson
10. Zombies: Encounters With the Hungry Dead - ed. John Skipp
Other new arrivals include Dead Set (ed. Joe McKinney & Michelle McCrary), Best New Zombie Tales (volumes #1 & #2, ed. Roy Daley), Pride & Prejudice & Zombies: Dreadfully Ever After (Steve Hockensmith), Empire (David Dunwoody) and Hungry For Your Love (ed. Lori Perkins).
Wednesday, March 23, 2011
Review: Married With Zombies
Jesse Petersen, 2010, Simon & Schuster
Sarah and David are on the verge of divorce, and of the opinion that their weekly marriage counselling sessions simply aren't going to save the relationship. Today, however, they've noticed a few odd things on the way to their appointment: the lack of cars on the highway; a missing security guard; the fact that their counsellor is eating the previous client... Now Sarah and David are fighting for survival in the middle of a zombie apocalypse. But just because there are zombies, that doesn't mean your other problems go away, and if the zombies don't get them first, there's still a very real chance that Sarah and David are going to end up killing each other...
Married With Zombies, which is billed as 'a romantic comedy with braiiins', is an enjoyable romp. While the plot largely comprises a list of standard apocalyptic set pieces, the novel overall is raised well above the same-old by some extremely empathic protagonists, not to mention snappy dialogue that recalls the style of Buffy or Gilmore Girls. Although clearly aimed at a Paranormal Romance readership, the tone of the novel - while lighter than most zompocalyptic tales - is certainly darker than that of the average rom-com, and Petersen never undermines the bleakness of her protagonists' situation (including the state of their relationship) with flippant humour.
Even if you're no particular fan of romantic comedy, paranormal or otherwise, Married With Zombies has sufficient depth, drama, and zompocalyptic mayhem to satisfy even the pickiest zomfan on a whole bunch of levels. A worthy read.
Sarah and David are on the verge of divorce, and of the opinion that their weekly marriage counselling sessions simply aren't going to save the relationship. Today, however, they've noticed a few odd things on the way to their appointment: the lack of cars on the highway; a missing security guard; the fact that their counsellor is eating the previous client... Now Sarah and David are fighting for survival in the middle of a zombie apocalypse. But just because there are zombies, that doesn't mean your other problems go away, and if the zombies don't get them first, there's still a very real chance that Sarah and David are going to end up killing each other...
Married With Zombies, which is billed as 'a romantic comedy with braiiins', is an enjoyable romp. While the plot largely comprises a list of standard apocalyptic set pieces, the novel overall is raised well above the same-old by some extremely empathic protagonists, not to mention snappy dialogue that recalls the style of Buffy or Gilmore Girls. Although clearly aimed at a Paranormal Romance readership, the tone of the novel - while lighter than most zompocalyptic tales - is certainly darker than that of the average rom-com, and Petersen never undermines the bleakness of her protagonists' situation (including the state of their relationship) with flippant humour.
Even if you're no particular fan of romantic comedy, paranormal or otherwise, Married With Zombies has sufficient depth, drama, and zompocalyptic mayhem to satisfy even the pickiest zomfan on a whole bunch of levels. A worthy read.
Labels:
book review,
jesse petersen,
married with zombies
Thursday, March 10, 2011
Review: Rot and Ruin
Jonathan Maberry, 2011, Simon & Schuster
Benny Imura was only a toddler on First Night, but his last memory of his parents is tainted by the image of them becoming zombies, and he blames his older brother, Tom, for not saving them. Now Benny is fifteen, and Tom wants them to put their difficult relationship behind them and work together in the 'family business': as zombie killers. It's the last thing Benny wants to do, but he needs a job and thinks it'll be an easy ride. But when they head into the Rot and Ruin that surrounds their township, Benny soon realises there's more to the job than just killing the undead. And, as he's confronted by the grim realities of the world around him, Benny makes the most terrifying discovery of all: that sometimes the worst monsters you can imagine are human...
In this Young Adult expansion of Maberry's novella 'Family Business', which appeared in Christopher Golden's brilliant Zombie: An Anthology of the Undead, Maberry once again demonstrates why he's deservedly regarded as one of the greats of modern horror fiction, and especially of zombie fiction. His plotting maintains great momentum, navigating various twists and turns, to deliver a tense, atmospheric and action-packed post-apocalyptic 'coming of age' horror tale. The characters all elicit a great degree of empathy, if not necessarily sympathy, demonstrating a range of complex emotions, motivations and flaws that readers will immediately recognise and identify with. Maberry is also a master at using the blank canvas of the zombie hordes (thematically speaking) as a means to highlight aspects of human nature central to the plot.
Rot and Ruin is a fantastic read, and one that will appeal to both YA and adult readers. Expect an Australian release in early April.
Benny Imura was only a toddler on First Night, but his last memory of his parents is tainted by the image of them becoming zombies, and he blames his older brother, Tom, for not saving them. Now Benny is fifteen, and Tom wants them to put their difficult relationship behind them and work together in the 'family business': as zombie killers. It's the last thing Benny wants to do, but he needs a job and thinks it'll be an easy ride. But when they head into the Rot and Ruin that surrounds their township, Benny soon realises there's more to the job than just killing the undead. And, as he's confronted by the grim realities of the world around him, Benny makes the most terrifying discovery of all: that sometimes the worst monsters you can imagine are human...
In this Young Adult expansion of Maberry's novella 'Family Business', which appeared in Christopher Golden's brilliant Zombie: An Anthology of the Undead, Maberry once again demonstrates why he's deservedly regarded as one of the greats of modern horror fiction, and especially of zombie fiction. His plotting maintains great momentum, navigating various twists and turns, to deliver a tense, atmospheric and action-packed post-apocalyptic 'coming of age' horror tale. The characters all elicit a great degree of empathy, if not necessarily sympathy, demonstrating a range of complex emotions, motivations and flaws that readers will immediately recognise and identify with. Maberry is also a master at using the blank canvas of the zombie hordes (thematically speaking) as a means to highlight aspects of human nature central to the plot.
Rot and Ruin is a fantastic read, and one that will appeal to both YA and adult readers. Expect an Australian release in early April.
Labels:
book review,
jonathan maberry,
rot and ruin
Monday, March 7, 2011
Music: Aaron Stoquert
From musician Aaron Stoquert comes the haunting EP, Run For Your Life, featuring five acoustic songs sung from the perspective of the walking dead. The EP is available for download from Aaron's website, and we at NecroScope would urge you to visit, check out all the tracks, and think about purchasing a copy.
(With thanks to S. G. Browne)
(With thanks to S. G. Browne)
Sunday, March 6, 2011
Review: Passing Strange
Daniel Waters, 2010, Simon & Schuster Australia
Karen DeSonne always passed as a normal teenager. And now that she's dead, she's still passing - this time, as alive. But when her dead friends are accused of a high profile murder and forced into hiding, it's up to Karen to prove their innocence. Which means doing the unthinkable, and becoming the girlfriend of bionist zealot Pete Martinsburg, who she suspects of framing them. But if Pete finds out who - and what - Karen really is, the consequences could be far worse than death...
Passing Strange is the third in Daniel Waters' series of YA zombie-themed books - beginning with Generation Dead and Kiss of Life - and is an absolute cracker, building on all that has gone before, and upping the ante as the plot races towards what might well be the conclusion of the trilogy. The change, from previous installments, from a living third-person viewpoint character to a dead first-person POV, provides a great deal of uncertainty as to where the narrative might be heading, and - for all that the book is aimed at a YA readership - Waters certainly doesn't shy away from addressing some extremely dark themes, such as religious, racial and sexual bigotry, human rights abuses, and the nature of hatred and fear in general.
Passing Strange is an excellent addition to an excellent series; a truly gripping read, and one that can be enjoyed equally by teens and adults. A brilliant addition to the 'zombies as the disenfranchised' subgenre.
Karen DeSonne always passed as a normal teenager. And now that she's dead, she's still passing - this time, as alive. But when her dead friends are accused of a high profile murder and forced into hiding, it's up to Karen to prove their innocence. Which means doing the unthinkable, and becoming the girlfriend of bionist zealot Pete Martinsburg, who she suspects of framing them. But if Pete finds out who - and what - Karen really is, the consequences could be far worse than death...
Passing Strange is the third in Daniel Waters' series of YA zombie-themed books - beginning with Generation Dead and Kiss of Life - and is an absolute cracker, building on all that has gone before, and upping the ante as the plot races towards what might well be the conclusion of the trilogy. The change, from previous installments, from a living third-person viewpoint character to a dead first-person POV, provides a great deal of uncertainty as to where the narrative might be heading, and - for all that the book is aimed at a YA readership - Waters certainly doesn't shy away from addressing some extremely dark themes, such as religious, racial and sexual bigotry, human rights abuses, and the nature of hatred and fear in general.
Passing Strange is an excellent addition to an excellent series; a truly gripping read, and one that can be enjoyed equally by teens and adults. A brilliant addition to the 'zombies as the disenfranchised' subgenre.
Labels:
book review,
daniel waters,
generation dead,
kiss of life,
passing strange,
YA
Friday, March 4, 2011
Pop Culture: Interactive Zombie Movie...Pizza Ad?
There are some things that just naturally go together: fish and chips, bald spots and comb-overs, pizza and...zombies? At least, that's what New Zealand's Hell Pizza chain figured, and who are we to say they're wrong? Check out the following awesome interactive movie/ad from Hell Pizza, and tell us it doesn't make you want to order a meatlovers straight away...
Labels:
advertisement,
hell pizza,
movies,
pop culture
Tuesday, March 1, 2011
News: Dymocks Southland Bestselling Zombie Titles for Feb 2011
February was a slow month for zombie fiction (no pun intended), although - as always - key titles moved strongly throughout the month.
1. Pride & Prejudice & Zombies - Austen / Graeme-Smith
2. The Proper Care and Feeding of Zombies - Mac Montandon
3. The Walking Dead Compendium #1 - Robert Kirkman
4. The Walking Dead Book #1 - Robert Kirkman
5. Warm Bodies - Isaac Marion
6. World War Z - Max Brooks
7. Marvel Zombies: Dead Days - Robert Kirkman
8. Generation Dead (series) - Daniel Waters
9. Night of the Living Trekkies - Anderson / Stall
10. Zombies: Encounters With the Hungry Dead - ed. John Skipp
New arrivals include Apocalypse of the Dead (Joe McKinney) and Hungry for Your Love (ed. Lori Perkins), with the next few months promising a bumper crop of zombie goodness, including new works from Mira Grant and Jonathan Maberry, the long-awaited local release of S. G. Browne's Breathers (hurrah!), and Madman Entertainment and Hachette picking up local distribution rights to The Walking Dead and Marvel Zombies graphic novels, respectively.
1. Pride & Prejudice & Zombies - Austen / Graeme-Smith
2. The Proper Care and Feeding of Zombies - Mac Montandon
3. The Walking Dead Compendium #1 - Robert Kirkman
4. The Walking Dead Book #1 - Robert Kirkman
5. Warm Bodies - Isaac Marion
6. World War Z - Max Brooks
7. Marvel Zombies: Dead Days - Robert Kirkman
8. Generation Dead (series) - Daniel Waters
9. Night of the Living Trekkies - Anderson / Stall
10. Zombies: Encounters With the Hungry Dead - ed. John Skipp
New arrivals include Apocalypse of the Dead (Joe McKinney) and Hungry for Your Love (ed. Lori Perkins), with the next few months promising a bumper crop of zombie goodness, including new works from Mira Grant and Jonathan Maberry, the long-awaited local release of S. G. Browne's Breathers (hurrah!), and Madman Entertainment and Hachette picking up local distribution rights to The Walking Dead and Marvel Zombies graphic novels, respectively.
Monday, February 28, 2011
Review: Nerd Do Well
Simon Pegg, 2010, Century
The importance of the movie Shaun of the Dead in kick-starting the current massive popularity of zombies in popular culture simply can't be overstated. Released in 2004, and narrowly preceding a number of similarly influential movies and books such as 28 Days Later, World War Z, Monster Island and Xombies, Shaun perhaps provided more momentum to the craze than any other single release, due to its simultaneous appeal to both Romero devotees and mainstream audiences; here was a brutal, cult-style horror movie masquerading as a mainstream slacker/buddy/satirical romantic britcom (or vice versa), the sort of movie a vast cross-section of different moviegoers could - and did - enjoy, and one that drew those with no prior interest in the zombie subgenre inexorably into the fold.
Nerd Do Well is the autobiography of the man behind Shaun - both the movie and the titular character; actor, comedian and writer Simon Pegg - and focuses upon the amazing circularity of Pegg's life, from a childhood spent immersed in the trappings of geekdom to a man now famed for his direct involvement with, and influence upon, geek culture.
The book is written in a manner every bit as amusing as one might expect (in reading it on the train, my constantly having to stifle fits of laughter lead some of my fellow travellers to think I was having a conniption fit), and provides an engrossing and entertaining insight into Pegg's formative years and beyond. His childlike glee in finding himself, as an adult, shooting a zombie movie, acting in both the Star Trek and Doctor Who reboots, meeting George Lucas in the flesh, being directed by George A. Romero, and so on, provides an extremely satisfying payoff to the tale of a nerd made good. Zombie fans in particular are well catered to, with a wealth of behind-the-scenes information provided on Shaun of the Dead specifically.
Nerd Do Well is a really fun, satisfying and engrossing read, and one that stands head and shoulders above most other autobiographies. A must for geeks of all stripes.
The importance of the movie Shaun of the Dead in kick-starting the current massive popularity of zombies in popular culture simply can't be overstated. Released in 2004, and narrowly preceding a number of similarly influential movies and books such as 28 Days Later, World War Z, Monster Island and Xombies, Shaun perhaps provided more momentum to the craze than any other single release, due to its simultaneous appeal to both Romero devotees and mainstream audiences; here was a brutal, cult-style horror movie masquerading as a mainstream slacker/buddy/satirical romantic britcom (or vice versa), the sort of movie a vast cross-section of different moviegoers could - and did - enjoy, and one that drew those with no prior interest in the zombie subgenre inexorably into the fold.
Nerd Do Well is the autobiography of the man behind Shaun - both the movie and the titular character; actor, comedian and writer Simon Pegg - and focuses upon the amazing circularity of Pegg's life, from a childhood spent immersed in the trappings of geekdom to a man now famed for his direct involvement with, and influence upon, geek culture.
The book is written in a manner every bit as amusing as one might expect (in reading it on the train, my constantly having to stifle fits of laughter lead some of my fellow travellers to think I was having a conniption fit), and provides an engrossing and entertaining insight into Pegg's formative years and beyond. His childlike glee in finding himself, as an adult, shooting a zombie movie, acting in both the Star Trek and Doctor Who reboots, meeting George Lucas in the flesh, being directed by George A. Romero, and so on, provides an extremely satisfying payoff to the tale of a nerd made good. Zombie fans in particular are well catered to, with a wealth of behind-the-scenes information provided on Shaun of the Dead specifically.
Nerd Do Well is a really fun, satisfying and engrossing read, and one that stands head and shoulders above most other autobiographies. A must for geeks of all stripes.
Labels:
book review,
nerd do well,
shaun of the dead,
simon pegg
Sunday, February 20, 2011
Review: Warm Bodies
Isaac Marion, 2010, Random House Australia
'R' is a zombie. He has no memory of his name, or of his former life. His entire existence, along with many of his kind, consists of endlessly shambling around the local airport, mimicking the routines of the living. Only the occasional scavenging forays into the nearby city, hunting for warm, living flesh, bring anything close to genuine emotion into R's sterile life. Until the day he meets a living girl, and - for reasons that will haunt him thereafter - saves her life, spiriting her away to his airport hideaway to be his companion. The status quo is beginning to change. The rules are being broken. But will R's strange evolution bring peace to a shattered world, or only tragedy to those he is beginning to care about?
Warm Bodies is a tremendous novel that turns the zombie genre on its head, minutely examining the human condition - an oft-explored theme in zombie fiction - entirely from the zombie's point of view. Marion's undead protagonist is painted as something of an autistic savant - capable of intelligent observation and rationalisation, yet unable to truly comprehend the behaviour and motives of the living (or even his fellow dead, for that matter), himself operating on a mental level that would be incomprehensible to the reader, were it not for the power and clarity of Marion's writing. The plot explores numerous philosophical and ethical issues at a deeply intellectual level, whilst remaining engrossing and entertaining throughout. There's also plenty of violent mayhem and flesh-eating action for the old-school zomfans, with a nifty explanation as to why zombies have to eat flesh, and why brains might offer more than just a tasty treat.
Warm Bodies is among the best of the best of the current crop (shamble?) of zombie novels. Zomfic enthusiasts absolutely owe it to themselves to read it - and to then pass it on to those who disdain the genre, but love a deeply literary affair. And thus, the sickness spreads...
'R' is a zombie. He has no memory of his name, or of his former life. His entire existence, along with many of his kind, consists of endlessly shambling around the local airport, mimicking the routines of the living. Only the occasional scavenging forays into the nearby city, hunting for warm, living flesh, bring anything close to genuine emotion into R's sterile life. Until the day he meets a living girl, and - for reasons that will haunt him thereafter - saves her life, spiriting her away to his airport hideaway to be his companion. The status quo is beginning to change. The rules are being broken. But will R's strange evolution bring peace to a shattered world, or only tragedy to those he is beginning to care about?
Warm Bodies is a tremendous novel that turns the zombie genre on its head, minutely examining the human condition - an oft-explored theme in zombie fiction - entirely from the zombie's point of view. Marion's undead protagonist is painted as something of an autistic savant - capable of intelligent observation and rationalisation, yet unable to truly comprehend the behaviour and motives of the living (or even his fellow dead, for that matter), himself operating on a mental level that would be incomprehensible to the reader, were it not for the power and clarity of Marion's writing. The plot explores numerous philosophical and ethical issues at a deeply intellectual level, whilst remaining engrossing and entertaining throughout. There's also plenty of violent mayhem and flesh-eating action for the old-school zomfans, with a nifty explanation as to why zombies have to eat flesh, and why brains might offer more than just a tasty treat.
Warm Bodies is among the best of the best of the current crop (shamble?) of zombie novels. Zomfic enthusiasts absolutely owe it to themselves to read it - and to then pass it on to those who disdain the genre, but love a deeply literary affair. And thus, the sickness spreads...
Monday, February 14, 2011
News: NecroScope Open for Ditmar Nominations
NecroScope is currently eligible for nomination for the 2011 Ditmar Awards, which recognise excellence in SF, fantasy and horror by Australians.
The relevant categories for nomination are:
* Best Fan Writer (Chuck McKenzie, body of work including reviews in NecroScope and HorrorScope)
* Best Fan Publication (NecroScope, Chuck McKenzie)
* William Atheling Jr Award for Criticism or Review (Chuck McKenzie, for Horror reviews in NecroScope and HorrorScope)
If you've enjoyed the ongoing body of work published by NecroScope since its inception in July 2010, and are eligible to nominate, do please consider casting a vote for us (because zombies need validation too!). Nominations are accepted only from natural persons active in fandom, or from full or supporting members of the national convention of the year of the award (full Ditmar rules may be found here).
The relevant categories for nomination are:
* Best Fan Writer (Chuck McKenzie, body of work including reviews in NecroScope and HorrorScope)
* Best Fan Publication (NecroScope, Chuck McKenzie)
* William Atheling Jr Award for Criticism or Review (Chuck McKenzie, for Horror reviews in NecroScope and HorrorScope)
If you've enjoyed the ongoing body of work published by NecroScope since its inception in July 2010, and are eligible to nominate, do please consider casting a vote for us (because zombies need validation too!). Nominations are accepted only from natural persons active in fandom, or from full or supporting members of the national convention of the year of the award (full Ditmar rules may be found here).
News: Zombie Movies Screen at ACMI
ACMI - the Australian Centre for the Moving Image in Melbourne - will be screening some great zombie flicks over the coming month, as part of their regular Freaky Fridays program.
Feb 18/25: Colin
Mar 04: La Horde
Mar 11: ZMD: Zombies of Mass Destruction
Bookings may be made via the ACMI website, or by calling (03) 8663 2583.
(Reported by Rob Jan)
Feb 18/25: Colin
Mar 04: La Horde
Mar 11: ZMD: Zombies of Mass Destruction
Bookings may be made via the ACMI website, or by calling (03) 8663 2583.
(Reported by Rob Jan)
Review: Dead Earth: The Vengeance Road
Mark Justice & David T. Wilbanks, 2010, Permuted Press
Invaders from another world have raised an unholy army of the living dead, laying waste to human civilisation. The 'Necros' destroyed Jubal's home and everyone he loved - now the only thing that matters to him is payback. Leading a ragtag group of armed survivors, Jubal is now making his way across the desert towards Area 51 - the Necro base - heading for a showdown that nobody may walk away from...
Dead Earth: The Vengeance Road is a fun read. While undermined slightly in places by some fairly clunky dialogue and prose, the central plot is sufficiently inventive and exciting to keep the reader turning the page. There's a distinctly Western-style atmosphere to the whole thing, with the tale essentially amounting to a series of stand-offs and engagements between the forces of Good (lead by Jubal) and Evil (a plague of zombies, controlled by a psychotic, brainwashed biker) as they head towards a final showdown. It's not the perfect zombie novel by any means, but there's a lot to like here, and those who enjoy the unfettered action and imagination of Pulp-style fiction should grab themselves a copy.
Invaders from another world have raised an unholy army of the living dead, laying waste to human civilisation. The 'Necros' destroyed Jubal's home and everyone he loved - now the only thing that matters to him is payback. Leading a ragtag group of armed survivors, Jubal is now making his way across the desert towards Area 51 - the Necro base - heading for a showdown that nobody may walk away from...
Dead Earth: The Vengeance Road is a fun read. While undermined slightly in places by some fairly clunky dialogue and prose, the central plot is sufficiently inventive and exciting to keep the reader turning the page. There's a distinctly Western-style atmosphere to the whole thing, with the tale essentially amounting to a series of stand-offs and engagements between the forces of Good (lead by Jubal) and Evil (a plague of zombies, controlled by a psychotic, brainwashed biker) as they head towards a final showdown. It's not the perfect zombie novel by any means, but there's a lot to like here, and those who enjoy the unfettered action and imagination of Pulp-style fiction should grab themselves a copy.
Saturday, February 12, 2011
News: Art of the Mash-Up Competition
In the lead-up to the release of Pride and Prejudice and Zombies: Dreadfully Ever After, Quirk Books have announced the following exciting competition.
Eric Smith reports:
'Recently, some of the Quirk team took a trip to New York City to meet with our friends at the Bridgeman Art Library. For those of you unfamiliar with Bridgeman, they’re the world’s leading source of fine art and historical images available for reproduction… and we’ve worked with them on all of our Quirk Classics titles, including Pride and Prejudice and Zombies, Sense and Sensibility and Sea Monsters, Dawn of the Dreadfuls, Android Karenina, and the upcoming Dreadfully Ever After.
'We've teamed up with Bridgeman to present the Art of the Mash-up Design Competition. To celebrate the March 22nd release of Pride and Prejudice and Zombies: Dreadfully Ever After, we’re giving Quirk fans and designers the opportunity to craft their own mash-up book covers for a chance at fabulous prizes.
'The contest is inspired by the iconic cover from our 2009 New York Times best-selling book Pride & Prejudice & Zombies. That cover features a zombified version of the once-genteel portrait of Marcia B. Fox, which our designer Doogie Horner acquired from Bridgeman Art Library. Horner transformed the original artwork by repainting portions and merging the changes in Photoshop. The resulting mashed-up image was voted Amazon’s Best Book Cover of the Year in 2009. You can check out all the before and after images of the five Classics, here on Bridgeman’s website.
'The prizes are pretty fantastic. The grand-prize package, includes entrance to the HOW Design Conference in Chicago and a feature in GD USA Magazine! Our favorites will be featured in a First Friday gallery show at Brave New Worlds in Philadelphia. For more information and to enter, visit http://www.bridgemanart.com/competitions.'
This competition closes March 11th, so aspiring artists should get inQuirk quick!
Eric Smith reports:
'Recently, some of the Quirk team took a trip to New York City to meet with our friends at the Bridgeman Art Library. For those of you unfamiliar with Bridgeman, they’re the world’s leading source of fine art and historical images available for reproduction… and we’ve worked with them on all of our Quirk Classics titles, including Pride and Prejudice and Zombies, Sense and Sensibility and Sea Monsters, Dawn of the Dreadfuls, Android Karenina, and the upcoming Dreadfully Ever After.
'We've teamed up with Bridgeman to present the Art of the Mash-up Design Competition. To celebrate the March 22nd release of Pride and Prejudice and Zombies: Dreadfully Ever After, we’re giving Quirk fans and designers the opportunity to craft their own mash-up book covers for a chance at fabulous prizes.
'The contest is inspired by the iconic cover from our 2009 New York Times best-selling book Pride & Prejudice & Zombies. That cover features a zombified version of the once-genteel portrait of Marcia B. Fox, which our designer Doogie Horner acquired from Bridgeman Art Library. Horner transformed the original artwork by repainting portions and merging the changes in Photoshop. The resulting mashed-up image was voted Amazon’s Best Book Cover of the Year in 2009. You can check out all the before and after images of the five Classics, here on Bridgeman’s website.
'The prizes are pretty fantastic. The grand-prize package, includes entrance to the HOW Design Conference in Chicago and a feature in GD USA Magazine! Our favorites will be featured in a First Friday gallery show at Brave New Worlds in Philadelphia. For more information and to enter, visit http://www.bridgemanart.com/competitions.'
This competition closes March 11th, so aspiring artists should get in
Friday, February 11, 2011
Pop Culture: Stand By For A Party Political Broadcast...
You know that zombies have really tapped into the zeitgeist when a major political party uses them as the central theme in a campaign advertisement. For NecroScope's overseas readers, The Greens - who have bankrolled the following ad - are Australia's major environmentalist political group. We present the following, which will hit TV in the lead up to the next NSW state election, without further comment (political or otherwise).
(Reported by Kyla Ward).
(Reported by Kyla Ward).
Monday, February 7, 2011
Review: Zombies For Zombies: The Play & Werk Buk
David P. Murphy, 2010, Sourcebooks
Just when you thought brains couldn't get any more appealing, Z4Z: The Play & Werk Buk gives you, the recently turned zombie, a range of new ways to maintain your sentience and minimise your inclination to moan and shuffle. Packed with games, puzzles, stories, quizzes and other ways to embrace and improve your new zombie life, this book is a great inactivity guide for the whole morgue...
There's not much that can be said about The Play & Werk Buk that isn't covered in the blurb above. Basically, it's an activity book for zombies (taking cues from Murphy's previous darkly satirical publication, Zombies for Zombies), and, as such, is as irreverent, funny, grotesque, and downright disturbing* as one might expect. The Play & Werk Buk is an enjoyable and funny read, and a worthy addition to the range of 'novelty' zombie publications currently on the market.
* Perhaps the most disturbing thing about The Play & Werk Buk is that - according to Mrs NecroKeeper, who is currently completing her teaching degree (hey, the undead are entitled to an education, too!) - the majority of the book's content has genuine educational applications for primary-age kids.
Just when you thought brains couldn't get any more appealing, Z4Z: The Play & Werk Buk gives you, the recently turned zombie, a range of new ways to maintain your sentience and minimise your inclination to moan and shuffle. Packed with games, puzzles, stories, quizzes and other ways to embrace and improve your new zombie life, this book is a great inactivity guide for the whole morgue...
There's not much that can be said about The Play & Werk Buk that isn't covered in the blurb above. Basically, it's an activity book for zombies (taking cues from Murphy's previous darkly satirical publication, Zombies for Zombies), and, as such, is as irreverent, funny, grotesque, and downright disturbing* as one might expect. The Play & Werk Buk is an enjoyable and funny read, and a worthy addition to the range of 'novelty' zombie publications currently on the market.
* Perhaps the most disturbing thing about The Play & Werk Buk is that - according to Mrs NecroKeeper, who is currently completing her teaching degree (hey, the undead are entitled to an education, too!) - the majority of the book's content has genuine educational applications for primary-age kids.
Monday, January 31, 2011
News: Dymocks Southland Bestselling Zombie Titles for January 2011
Zombie fiction continued to trade strongly into the new year after a bumper Christmas season, with the popularity of The Walking Dead TV show additionally boosting sales of Zed-related graphic novels.
1. Pride & Prejudice & Zombies - Austen / Graeme-Smith
2. Zombie Apocalypse! - ed. Stephen Jones
3. Marvel Zombies #1 - Kirkman / Phillips
4. The Zombie Survival Guide - Max Brooks
5. Zombies vs Unicorns - ed. Larbalestier / Black
6. Boneshaker - Cherie Priest
7. Night of the Living Trekkies - Anderson / Stall
8. The Dead (The Enemy #2) - Charlie Higson
9. The Zombie Combat Manual - Roger Ma
10. Pariah - Bob Fingerman
Recent arrivals include David P. Murphy's Zombies for Zombies: The Play and Werk Buk.
1. Pride & Prejudice & Zombies - Austen / Graeme-Smith
2. Zombie Apocalypse! - ed. Stephen Jones
3. Marvel Zombies #1 - Kirkman / Phillips
4. The Zombie Survival Guide - Max Brooks
5. Zombies vs Unicorns - ed. Larbalestier / Black
6. Boneshaker - Cherie Priest
7. Night of the Living Trekkies - Anderson / Stall
8. The Dead (The Enemy #2) - Charlie Higson
9. The Zombie Combat Manual - Roger Ma
10. Pariah - Bob Fingerman
Recent arrivals include David P. Murphy's Zombies for Zombies: The Play and Werk Buk.
Monday, January 24, 2011
Fiction: Arizona Afterwards
In the fine tradition of bestselling authors such as David Wellington and David Moody, who rose to prominence through posting their zombie fiction free online, Australian-based author Christopher Green currently has a full-length zombie novel underway over at www.arizonaafterwards.com
Arizona Afterwards is a novel of survival. Of love and pain and struggle. And zombies. Four chapters have been posted thus far, with a new chapter posted every weekend throughout 2011, completely free of charge to readers. Zomfic fans who wish to reimburse Christopher for his excellent work, however, may do so via the on-site Paypal Donation button.
Christopher, whose award-winning short fiction has been published in Dreaming Again, Edge of Propinquity, Midnight Echo and Aurealis (among others), also maintains a writing blog at christophergreen.wordpress.com, and NecroScope recommends that you take the time to check out Christopher's wider body of work.
Arizona Afterwards is a novel of survival. Of love and pain and struggle. And zombies. Four chapters have been posted thus far, with a new chapter posted every weekend throughout 2011, completely free of charge to readers. Zomfic fans who wish to reimburse Christopher for his excellent work, however, may do so via the on-site Paypal Donation button.
Christopher, whose award-winning short fiction has been published in Dreaming Again, Edge of Propinquity, Midnight Echo and Aurealis (among others), also maintains a writing blog at christophergreen.wordpress.com, and NecroScope recommends that you take the time to check out Christopher's wider body of work.
Labels:
arizona afterwards,
christopher green,
fiction
Saturday, January 22, 2011
Review: The Dead (The Enemy #2)
Charlie Higson, 2010, Penguin Australia
A terrible plague is striking down everyone over the age of fourteen, and those that survive now roam the streets as mindless animals, hunting, seeking human flesh. Jack and Ed are best friends, but their battle to stay alive tests their friendship to the limit as they go on the run with a mismatched group of kids - nerds, fighters, misfits - and one solitary adult, who claims to be immune to the disease...
Charlie Higson's sequel to The Enemy takes the central premise of the first book - what if everyone over the age of fourteen suddenly became a flesh-eating zombie? - and explores the ramifications to their fullest and most terrifying potential. With The Dead focusing upon a completely different group of central characters from those in The Enemy, Higson has the opportunity to examine the same overall situation from a totally different angle, and indeed manages to put a new spin on certain events from the first book, which hints at some intriguing and - again - terrifying possibilities for the next book in the series. The plotting is tight, the forward momentum of the story never flagging for a moment, and Higson's characters are empathic studies of the average tween, an uneasy (often contradictory) blend of childlike immaturity and adult intelligence.
It should be noted that, despite The Dead being pitched squarely at the Young Adult market, Higson pulls no punches when it comes to depicting realistic violence, gore, and other dark aspects of post-apocalyptic life, although it's difficult to say who will find such content more disturbing: teens or adults. Far from being a bad thing, I'd cite this as just one of the major reasons that The Dead will stay with readers long after they've turned the final page (and possibly visited the advertised website, about which I'll say no more).
In a nutshell, The Dead is a bleak, emotionally draining and completely riveting installment in what is shaping up to be a brilliant zompocalyptic series. A must-read of the genre.
A terrible plague is striking down everyone over the age of fourteen, and those that survive now roam the streets as mindless animals, hunting, seeking human flesh. Jack and Ed are best friends, but their battle to stay alive tests their friendship to the limit as they go on the run with a mismatched group of kids - nerds, fighters, misfits - and one solitary adult, who claims to be immune to the disease...
Charlie Higson's sequel to The Enemy takes the central premise of the first book - what if everyone over the age of fourteen suddenly became a flesh-eating zombie? - and explores the ramifications to their fullest and most terrifying potential. With The Dead focusing upon a completely different group of central characters from those in The Enemy, Higson has the opportunity to examine the same overall situation from a totally different angle, and indeed manages to put a new spin on certain events from the first book, which hints at some intriguing and - again - terrifying possibilities for the next book in the series. The plotting is tight, the forward momentum of the story never flagging for a moment, and Higson's characters are empathic studies of the average tween, an uneasy (often contradictory) blend of childlike immaturity and adult intelligence.
It should be noted that, despite The Dead being pitched squarely at the Young Adult market, Higson pulls no punches when it comes to depicting realistic violence, gore, and other dark aspects of post-apocalyptic life, although it's difficult to say who will find such content more disturbing: teens or adults. Far from being a bad thing, I'd cite this as just one of the major reasons that The Dead will stay with readers long after they've turned the final page (and possibly visited the advertised website, about which I'll say no more).
In a nutshell, The Dead is a bleak, emotionally draining and completely riveting installment in what is shaping up to be a brilliant zompocalyptic series. A must-read of the genre.
Labels:
book review,
charlie higson,
the dead,
the enemy
Friday, January 21, 2011
Review: Zombie Apocalypse!
Ed. Stephen Jones, 2010, Scribo Australia
In near-future London, construction work on an old church releases a plague that turns its victims into flesh-hungry ghouls. As 'The Death' begins to sweep across the country, and then the entire globe, civilization collapses. Told through a series of interconnected eyewitness narratives - text messages, emails, blogs, letters, diaries and transcripts - Zombie Apocalypse! is an epic tale of a world plunged into chaos as the dead battle the living for total dominion...
Comprising dozens of individual pieces contributed by many talented authors (credited only at the back of the book, to emphasise the 'found footage' nature of the anthology), Zombie Apocalypse! details the titular event from seemingly-innocent beginnings to ultimate end, with often-understated evidence of bureaucratic bungling, governmental cover-ups and military failures contributing to the atmosphere of dread and impending doom that builds throughout. While some of the more irreverently light-hearted pieces seemed a little out of place against the overall darkness, most contributed strongly to the overall story. It's been a long time since I've been genuinely frightened by a zombie tale, but several pieces in Zombie Apocalypse! (such as Paul Finch's deceptively dry policeman's report of the Night From Hell) were so effectively disturbing that - I'm ashamed to admit - after reading this anthology in a single sitting, I was reticent to leave the safety of my brightly-lit lounge room and traverse the darkened house to go to bed.
Shared-world anthologies can often be a mixed bag, but Zombie Apocalypse! offers a wonderfully cohesive, engrossing, and truly horrifying vision that should keep most readers turning the page into the wee small hours of the morning. A great, if disturbing, read.
In near-future London, construction work on an old church releases a plague that turns its victims into flesh-hungry ghouls. As 'The Death' begins to sweep across the country, and then the entire globe, civilization collapses. Told through a series of interconnected eyewitness narratives - text messages, emails, blogs, letters, diaries and transcripts - Zombie Apocalypse! is an epic tale of a world plunged into chaos as the dead battle the living for total dominion...
Comprising dozens of individual pieces contributed by many talented authors (credited only at the back of the book, to emphasise the 'found footage' nature of the anthology), Zombie Apocalypse! details the titular event from seemingly-innocent beginnings to ultimate end, with often-understated evidence of bureaucratic bungling, governmental cover-ups and military failures contributing to the atmosphere of dread and impending doom that builds throughout. While some of the more irreverently light-hearted pieces seemed a little out of place against the overall darkness, most contributed strongly to the overall story. It's been a long time since I've been genuinely frightened by a zombie tale, but several pieces in Zombie Apocalypse! (such as Paul Finch's deceptively dry policeman's report of the Night From Hell) were so effectively disturbing that - I'm ashamed to admit - after reading this anthology in a single sitting, I was reticent to leave the safety of my brightly-lit lounge room and traverse the darkened house to go to bed.
Shared-world anthologies can often be a mixed bag, but Zombie Apocalypse! offers a wonderfully cohesive, engrossing, and truly horrifying vision that should keep most readers turning the page into the wee small hours of the morning. A great, if disturbing, read.
Labels:
book review,
stephen jones,
zombie apocalypse
Tuesday, January 11, 2011
Review: Real Zombies, the Living Dead, and Creatures of the Apocalypse
Brad Steiger, 2010, Penguin Australia
'Real Zombies... is an antidote to the dozens of Hollywood films that monotonously portray the lurching, reanimated dead. True zombie traditions are vast and multicultural, and they have been almost completely overlooked by the popular media...'
Non-fiction paranormal and occult reference books can be a something of a dodgy proposition; the very best ones out there balance entertainment value with at least a modicum of well-referenced and accurately-reported information; the worst are given over completely to sensationalism, with nothing in the way of 'hard evidence' - at least as far as it's possible to provide hard evidence on matters paranormal - to engage the interest of vaguely-skeptical readers.
Real Zombies falls somewhere in the middle, with Steiger speculating heavily on such matters as Hitler's attempt to create a zombie army, and occasionally stating as fact such things as the popularity of 'zombie brides' in the American South following the Civil War. It's certainly entertaining stuff, but, when offered without any backing historical and/or reputable evidence*, it occasionally feels as though Steiger is asking us to take a little too much on faith alone**. That aside, there's a great deal of fascinating information to be found here, with chapters on such things as zombies as heralds of the Apocalypse, eating flesh as a religious experience, governmental experiments to create zombies, and of course much exploration of vodou culture. On balance, there's also a fair bit of material that seems to have little to do with the central topic; reports on 'real-life' sightings of swamp monsters and lycanthropes, tales of urban demon-worship, and information on flesh-eating mythological creatures from around the globe. Ultimately, though, Real Zombies is an entertaining and informative read; whether you take is as fact, fiction, or a mixture of the two, however, will be largely up to you.
* Possibly I'm expecting too much here, the nature of the topic again not necessarily allowing for academic referencing and the like. On the other hand, though, stating as fact something that - to the best of my knowledge - is not generally accepted as fact requires at least some backing evidence, such as, say, the tentative opinion of some little-known historian. Even a simple disclaimer along the lines of 'So-and-so believes that...' - which immediately identifies the information as honest speculation - is generally sufficient.
** As a practicing vodouissant myself, I certainly have no issues with taking things on faith, so don't imagine for a moment that I'm rubbishing anything related to belief in the occult (or religion, etc). However, again, if an author is going to present such matters as non-fiction, rather than as either fiction or an obvious trapping of Faith (such as a religious text), it falls to the author to provide more than just their personal statement of fact.
'Real Zombies... is an antidote to the dozens of Hollywood films that monotonously portray the lurching, reanimated dead. True zombie traditions are vast and multicultural, and they have been almost completely overlooked by the popular media...'
Non-fiction paranormal and occult reference books can be a something of a dodgy proposition; the very best ones out there balance entertainment value with at least a modicum of well-referenced and accurately-reported information; the worst are given over completely to sensationalism, with nothing in the way of 'hard evidence' - at least as far as it's possible to provide hard evidence on matters paranormal - to engage the interest of vaguely-skeptical readers.
Real Zombies falls somewhere in the middle, with Steiger speculating heavily on such matters as Hitler's attempt to create a zombie army, and occasionally stating as fact such things as the popularity of 'zombie brides' in the American South following the Civil War. It's certainly entertaining stuff, but, when offered without any backing historical and/or reputable evidence*, it occasionally feels as though Steiger is asking us to take a little too much on faith alone**. That aside, there's a great deal of fascinating information to be found here, with chapters on such things as zombies as heralds of the Apocalypse, eating flesh as a religious experience, governmental experiments to create zombies, and of course much exploration of vodou culture. On balance, there's also a fair bit of material that seems to have little to do with the central topic; reports on 'real-life' sightings of swamp monsters and lycanthropes, tales of urban demon-worship, and information on flesh-eating mythological creatures from around the globe. Ultimately, though, Real Zombies is an entertaining and informative read; whether you take is as fact, fiction, or a mixture of the two, however, will be largely up to you.
* Possibly I'm expecting too much here, the nature of the topic again not necessarily allowing for academic referencing and the like. On the other hand, though, stating as fact something that - to the best of my knowledge - is not generally accepted as fact requires at least some backing evidence, such as, say, the tentative opinion of some little-known historian. Even a simple disclaimer along the lines of 'So-and-so believes that...' - which immediately identifies the information as honest speculation - is generally sufficient.
** As a practicing vodouissant myself, I certainly have no issues with taking things on faith, so don't imagine for a moment that I'm rubbishing anything related to belief in the occult (or religion, etc). However, again, if an author is going to present such matters as non-fiction, rather than as either fiction or an obvious trapping of Faith (such as a religious text), it falls to the author to provide more than just their personal statement of fact.
Saturday, January 8, 2011
Review: My Zombie Valentine
Katie MacAlister, Angie Fox, Marianne Mancusi & Lisa Cach, 2010, Scribo Books Australia
Tired of boyfriends who drain you dry? Sick of guys who stay out all night howling at the moon? You can do better. Some men want you not only for your body, but your brains. Especially your brains...
My Zombie Valentine comprises four novellas, each penned by one of the authors named above, and it should come as no surprise - given the blurb above, not to mention the title - that all four fall squarely into the 'paranormal romance' genre. Overall, I found all four pieces enjoyable (despite them being very obviously pitched at a female readership, which I am not); MacAlister's 'Bring Out Your Dead' revolves around a unique counsellor unwillingly drafted to care for a rather unusual child, while dealing with various Undead Issues of her own; Fox's 'Gentlemen Prefer Voodoo' is the tale of a practitioner/shopkeeper who utilises her faith to secure a lover; Mancusi's 'Zombiewood Confidential' gives us movie stars and romance against the backdrop of a Romeroesque uprising; and Cach's 'Every Part of You' pits our female protagonist against a madman and his army of...well, you can guess.
There's nothing particularly deep or gory to be found here, just light, entertaining fluff, mostly well-written and, yes, pleasingly sexy (definitely no 'ick' factor). If you enjoy paranormal romance in general, it's likely you'll enjoy the contents of this anthology; if head-shots and flesheating is more your thing, possibly not so much.
Tired of boyfriends who drain you dry? Sick of guys who stay out all night howling at the moon? You can do better. Some men want you not only for your body, but your brains. Especially your brains...
My Zombie Valentine comprises four novellas, each penned by one of the authors named above, and it should come as no surprise - given the blurb above, not to mention the title - that all four fall squarely into the 'paranormal romance' genre. Overall, I found all four pieces enjoyable (despite them being very obviously pitched at a female readership, which I am not); MacAlister's 'Bring Out Your Dead' revolves around a unique counsellor unwillingly drafted to care for a rather unusual child, while dealing with various Undead Issues of her own; Fox's 'Gentlemen Prefer Voodoo' is the tale of a practitioner/shopkeeper who utilises her faith to secure a lover; Mancusi's 'Zombiewood Confidential' gives us movie stars and romance against the backdrop of a Romeroesque uprising; and Cach's 'Every Part of You' pits our female protagonist against a madman and his army of...well, you can guess.
There's nothing particularly deep or gory to be found here, just light, entertaining fluff, mostly well-written and, yes, pleasingly sexy (definitely no 'ick' factor). If you enjoy paranormal romance in general, it's likely you'll enjoy the contents of this anthology; if head-shots and flesheating is more your thing, possibly not so much.
Review: Dead City
Joe McKinney, Pinnacle Books, 2006 (reissued 2010)
In the wake of a series of cataclysmic hurricanes, a deadly virus has spread along the Texas Gulf Coast. The dead are rising, with an insatiable hunger for human flesh, and police officer Eddie Huston must fight off the savage hordes in a race to find and save his family. But time is running out, and Eddie doesn't yet realise the price he may have to pay for failure...
I must admit to being absolutely delighted to see Joe McKinney's Dead City being reissued - with one sequel recently released and another two forthcoming, plus a (be warned, somewhat spoiler-ish) related short tale in the recent anthology, The Living Dead 2 - as this is a novel that (in my opinion) lead the initial 'boom' not merely in zomfic, but in really good zomfic, when it first appeared back in 2006.
The plot is a simple one, with our protagonist struggling to survive in a city overrun by the living dead; pure Romero, although the stakes are raised above the same-old by the specific nature of Eddie's 'quest' - to not merely survive, but to track down his young family and get them to safety. Factor in a sympathetic, though pleasingly imperfect protagonist, and McKinney's concise and descriptive prose, and you have what can best be described as a 'page-turner'.
Dead City is a damned good read, and one guaranteed to please a range of readers well beyond the zomfic fans. Again, it's fantastic to see another bona fide classic of the genre re-issued (Walter Greatshell's Xombies is another recent example) for the benefit of those who have only come lately to the growing zomfic horde, and I'm greatly looking forward to reading the sequels, Apocalypse of the Dead, Flesh Eaters, and The Zombie King.
Dead City is available in Australia through Penguin Books.
In the wake of a series of cataclysmic hurricanes, a deadly virus has spread along the Texas Gulf Coast. The dead are rising, with an insatiable hunger for human flesh, and police officer Eddie Huston must fight off the savage hordes in a race to find and save his family. But time is running out, and Eddie doesn't yet realise the price he may have to pay for failure...
I must admit to being absolutely delighted to see Joe McKinney's Dead City being reissued - with one sequel recently released and another two forthcoming, plus a (be warned, somewhat spoiler-ish) related short tale in the recent anthology, The Living Dead 2 - as this is a novel that (in my opinion) lead the initial 'boom' not merely in zomfic, but in really good zomfic, when it first appeared back in 2006.
The plot is a simple one, with our protagonist struggling to survive in a city overrun by the living dead; pure Romero, although the stakes are raised above the same-old by the specific nature of Eddie's 'quest' - to not merely survive, but to track down his young family and get them to safety. Factor in a sympathetic, though pleasingly imperfect protagonist, and McKinney's concise and descriptive prose, and you have what can best be described as a 'page-turner'.
Dead City is a damned good read, and one guaranteed to please a range of readers well beyond the zomfic fans. Again, it's fantastic to see another bona fide classic of the genre re-issued (Walter Greatshell's Xombies is another recent example) for the benefit of those who have only come lately to the growing zomfic horde, and I'm greatly looking forward to reading the sequels, Apocalypse of the Dead, Flesh Eaters, and The Zombie King.
Dead City is available in Australia through Penguin Books.
Wednesday, January 5, 2011
News: the 2010 (Genre) Bookselling Year in Review
...or, at least, one Australian bookseller's take on it.
Follow the link below to access a frank report on sales of SF, fantasy, paranormal fiction and horror (including a dedicated 'bestselling zombie titles' list!) at Dymocks Southland over the past year, posted by NecroScope's own Keeper of the Dead.
http://chuckmck1.livejournal.com/35428.html
Follow the link below to access a frank report on sales of SF, fantasy, paranormal fiction and horror (including a dedicated 'bestselling zombie titles' list!) at Dymocks Southland over the past year, posted by NecroScope's own Keeper of the Dead.
http://chuckmck1.livejournal.com/35428.html
Tuesday, January 4, 2011
News: Zomfic Up for Hugo Nominations
One of the highlights of 2010, in terms of zomfic, was the utterly brilliant The Living Dead 2 anthology from Night Shade Books, edited by John Joseph Adams. Now, as nominations open for the annual Hugo Awards, zomfans have an opportunity to show their appreciation for the contribution that Adams - and a whole bunch of extremely talented authors - have made to the zombie fiction subgrenre.
From John's personal blog:
Don't be shy, folks - let's get some top-notch zomfic up for the Hugos in 2011!
From John's personal blog:
2011 Hugo Awards Nomination Period is Now OpenThis year’s Hugo Awards nomination ballot is now online. The 2011 Hugo Awards will be presented in Reno, NV during Renovation, the 69th World Science Fiction Convention (August 17-21). Deadline for nominating online is March 26, 2011 23:59 PDT.
Anyone who has a supporting or full membership of Renovation as of January 31, 2011 and all members of Aussiecon 4 (last year’s Worldcon) may nominate works. If you didn’t attend Aussiecon, and you don’t plan to attend Renovation, you can still nominate by purchasing a supporting membership.A full list of works edited by John that are eligible in the various Hugo categories (including stories from The Living Dead 2) is up at: http://www.johnjosephadams.com/2011/01/2011-hugo-awards-nomination-period-is-now-open/
Already registered? Go and nominate your favorite works!
Don't be shy, folks - let's get some top-notch zomfic up for the Hugos in 2011!
Sunday, January 2, 2011
Editorial: the NecroKeeper's Xmas Haul
So, what did Santa bring you for Xmas?
Xmas is a brilliant time for zomfans: aside from the ever-increasing list of great zombie publications available to give and receive, there's a veritable cryptful of zombie-related products out there to pick and choose from at this special time of year. In this special NecroScope Editorial, we give you a peek at all the Yuletide goodies received by our very own Keeper of the Dead and his family...
And MiniZom looks ready to take on the horde in this appropriately-themed romper suit (thanks, Miss Alice!).
All in all, a bumper haul for the NecroFamily, and hopefully a few cool zombie gift ideas for you all for Xmas 2011.
Review: Home
Dir. Cameron McCulloch, Starring Jamie McDowell, 2010
Deep in the Australian bush, a lone young woman emerges periodically from her rickety shack to thin the hordes of encroaching zombies. But is she truly alone? And will the dark secret she keeps ultimately be the cause of her undoing?
Home is a short film, written and directed by Cameron McCulloch, and shot on a budget of just AU$2,000, which took out first prize at the Made in Melbourne film festival last month. Zombies have always lent themselves to low-budget film-making, but rarely are such films so polished and gripping as Home. The simple plot is taut and engrossing, despite dealing with themes familiar to most zomfans, and McDowell's dialogue-free performance as the sole living character is excellent. The backdrop of the inhospitable Australian bush is used to great effect, with some stunning cinematography, minimal and effective use of music, and understated SFX similarly underscoring the 'mundane' horror of the piece.
Home is an absolute gem among zombie shorts, and one I'd urge zomfans to track down and see if possible. The film will be doing the rounds of various festivals in the near future, and of course NecroScope will keep our readers posted on forthcoming screenings. In the meantime, to whet your appetites, here's the official Home trailer.
Deep in the Australian bush, a lone young woman emerges periodically from her rickety shack to thin the hordes of encroaching zombies. But is she truly alone? And will the dark secret she keeps ultimately be the cause of her undoing?
Home is a short film, written and directed by Cameron McCulloch, and shot on a budget of just AU$2,000, which took out first prize at the Made in Melbourne film festival last month. Zombies have always lent themselves to low-budget film-making, but rarely are such films so polished and gripping as Home. The simple plot is taut and engrossing, despite dealing with themes familiar to most zomfans, and McDowell's dialogue-free performance as the sole living character is excellent. The backdrop of the inhospitable Australian bush is used to great effect, with some stunning cinematography, minimal and effective use of music, and understated SFX similarly underscoring the 'mundane' horror of the piece.
Home is an absolute gem among zombie shorts, and one I'd urge zomfans to track down and see if possible. The film will be doing the rounds of various festivals in the near future, and of course NecroScope will keep our readers posted on forthcoming screenings. In the meantime, to whet your appetites, here's the official Home trailer.
Review: Pariah
Bob Fingerman, 2010, Tor
A global plague has vanquished mankind. In NYC, eight million zombies pack the streets, shoulder to shoulder, waiting for their next meal of human flesh. The residents of an upper east-side apartment block have banded together to survive, but - trapped in the safety of their fortress - soon find themselves starving and at one anothers' throats. And then one day a girl appears outside - a girl who can walk unmolested among the living dead...
Truly good zomlit - as with most great apocalyptic fiction - is never really about zombies; it's about people, and how people react to a crisis. This being the case, there's really no reason why each and every apocalyptic zombie novel shouldn't be fresh, unique and engrossing, as there is literally no limit to the number of different human characters an author can throw together to produce vastly differing behaviour and reactions, either to the zombies or to each other. Pariah is certainly a novel that ably demonstrates this truism, the central characters including some aging Jews, a couple of aggressive jocks, a younger white married couple, a black locksmith, the local 'cat lady' type, a sensitive artist, and the rather odd teenaged girl who enters their lives. Tensions within the group are inflamed by ongoing grudges and rivalries, lust, jealousy and extreme boredom, while the surreal threat of the zombies surrounding the building is counterbalanced by the utterly mundane and more immediate threat of starvation and dehydration, since the residents are unable to leave the building to forage. Fingerman's prose is pure poetry, and right from the outset the narrative simmers with a mix of escalating tension and dark observational humour, leaving the reader in little doubt that things cannot possibly end well here.
Pariah is one of the most enjoyable and engaging reads - in any genre - I've had in a year packed with enjoyable and engaging reads. This is a zombie novel one can safely recommend to literary pundits who wouldn't pick up a zombie novel under any circumstances. Brilliant, brilliant stuff, and a novel that all zomlit fans absolutely must read.
A global plague has vanquished mankind. In NYC, eight million zombies pack the streets, shoulder to shoulder, waiting for their next meal of human flesh. The residents of an upper east-side apartment block have banded together to survive, but - trapped in the safety of their fortress - soon find themselves starving and at one anothers' throats. And then one day a girl appears outside - a girl who can walk unmolested among the living dead...
Truly good zomlit - as with most great apocalyptic fiction - is never really about zombies; it's about people, and how people react to a crisis. This being the case, there's really no reason why each and every apocalyptic zombie novel shouldn't be fresh, unique and engrossing, as there is literally no limit to the number of different human characters an author can throw together to produce vastly differing behaviour and reactions, either to the zombies or to each other. Pariah is certainly a novel that ably demonstrates this truism, the central characters including some aging Jews, a couple of aggressive jocks, a younger white married couple, a black locksmith, the local 'cat lady' type, a sensitive artist, and the rather odd teenaged girl who enters their lives. Tensions within the group are inflamed by ongoing grudges and rivalries, lust, jealousy and extreme boredom, while the surreal threat of the zombies surrounding the building is counterbalanced by the utterly mundane and more immediate threat of starvation and dehydration, since the residents are unable to leave the building to forage. Fingerman's prose is pure poetry, and right from the outset the narrative simmers with a mix of escalating tension and dark observational humour, leaving the reader in little doubt that things cannot possibly end well here.
Pariah is one of the most enjoyable and engaging reads - in any genre - I've had in a year packed with enjoyable and engaging reads. This is a zombie novel one can safely recommend to literary pundits who wouldn't pick up a zombie novel under any circumstances. Brilliant, brilliant stuff, and a novel that all zomlit fans absolutely must read.
Saturday, January 1, 2011
News: Dymocks Southland Bestselling Zombie Titles for December 2010
Christmas was a bumper month for sales of zomlit at Dymocks Southland this year, no doubt due to customers wishing to show their respect for the original zombie himself, JC.
1. Pride & Prejudice & Zombies - Austen / Graeme-Smith
2. Alone (Chasers #1) - James Phelan
3. Night of the Living Trekkies - Anderson / Stall
4. The Zombie Combat Manual - Roger Ma
5. I Am Scrooge - Adam Roberts
6. Feed - Mira Grant
7. Zombie Felties (!) - Tedman / Skeate
8. Dead City - Joe McKinney
9. Undead - John Russo
10. Zombies vs Unicorns - Larbalestier / Black
New zed-flavoured arrivals this month included Zombie Apocalypse! (ed. Stephen Jones), Warm Bodies (Isaac Marion), and Code of the Zombie Pirate (Scott Kenemore).
1. Pride & Prejudice & Zombies - Austen / Graeme-Smith
2. Alone (Chasers #1) - James Phelan
3. Night of the Living Trekkies - Anderson / Stall
4. The Zombie Combat Manual - Roger Ma
5. I Am Scrooge - Adam Roberts
6. Feed - Mira Grant
7. Zombie Felties (!) - Tedman / Skeate
8. Dead City - Joe McKinney
9. Undead - John Russo
10. Zombies vs Unicorns - Larbalestier / Black
New zed-flavoured arrivals this month included Zombie Apocalypse! (ed. Stephen Jones), Warm Bodies (Isaac Marion), and Code of the Zombie Pirate (Scott Kenemore).
Saturday, December 25, 2010
Christmas Competition Winner!
A huge 'thanks' to everyone who took the time to pitch their idea for a zombie TV show based upon a book or short story. We had a bunch of great concepts sent in, ranging from the latest bestsellers to half-forgotten cult classics, with suggestions for one-off telemovies, ongoing seasons, limited series, half-hour 'specials', and more.
Unsurprisingly, recent releases lead the field, with novels such as Jonathan Maberry's Patient Zero and Mira Grant's Feed nominated numerous times. Older works that received multiple nominations included Joe McKinney's Dead City, Z. A. Recht's Plague of the Dead, Kim Paffenroth's Dying to Live, Carrie Ryan's The Forest of Hands and Teeth, Daniel Waters' Generation Dead, J. L. Bourne's Day by Day Armageddon, and Sarah Langan's Virus (aka The Missing).
Both Max Brooks' The Zombie Survival Guide and Roger Ma's The Zombie Combat Manual were suggested as serialised 'mockumentaries', and Adam Roberts' I Am Scrooge was a popular choice as a one-off Christmas special.
Short fiction received fewer nominations in general, although several classic tales were suggested. David J. Schow's 'Jerry's Kids Meet Wormboy' and Jennifer Brozek's 'A Bite to Remember' both received several nods. A couple of individual suggestions that really piqued our interest were David Wimberley's (Aust) nomination of Clive Barker's 'Scape-Goats' as a telemovie, and Steve McKenna's (UK) vision of Scott Edelman's 'The Last Supper' as a half-hour special.
Ultimately, though, there could only be one winner, and NecroScope would like to congratulate Guilherme Matsumoto (Brazil), whose passionate pitch for a six-episode miniseries based upon Brian Keene's apocalyptic novel, Dead Sea, came complete with suggested cast and crew (and valid reasons for those suggestions) and a clear vision of what the series should achieve.
Guilherme, a prize-pack filled with all manner of zombie-related goodies will shortly be winging it's way to you from darkest Oz. Congratulations once again.
To all our non-winners, commiserations. Remember, though, that there will be plenty more opportunities in future to win fabulous prizes simply by being a zomfic fan, so stay logged in to NecroScope in the meantime.
Unsurprisingly, recent releases lead the field, with novels such as Jonathan Maberry's Patient Zero and Mira Grant's Feed nominated numerous times. Older works that received multiple nominations included Joe McKinney's Dead City, Z. A. Recht's Plague of the Dead, Kim Paffenroth's Dying to Live, Carrie Ryan's The Forest of Hands and Teeth, Daniel Waters' Generation Dead, J. L. Bourne's Day by Day Armageddon, and Sarah Langan's Virus (aka The Missing).
Both Max Brooks' The Zombie Survival Guide and Roger Ma's The Zombie Combat Manual were suggested as serialised 'mockumentaries', and Adam Roberts' I Am Scrooge was a popular choice as a one-off Christmas special.
Short fiction received fewer nominations in general, although several classic tales were suggested. David J. Schow's 'Jerry's Kids Meet Wormboy' and Jennifer Brozek's 'A Bite to Remember' both received several nods. A couple of individual suggestions that really piqued our interest were David Wimberley's (Aust) nomination of Clive Barker's 'Scape-Goats' as a telemovie, and Steve McKenna's (UK) vision of Scott Edelman's 'The Last Supper' as a half-hour special.
Ultimately, though, there could only be one winner, and NecroScope would like to congratulate Guilherme Matsumoto (Brazil), whose passionate pitch for a six-episode miniseries based upon Brian Keene's apocalyptic novel, Dead Sea, came complete with suggested cast and crew (and valid reasons for those suggestions) and a clear vision of what the series should achieve.
Guilherme, a prize-pack filled with all manner of zombie-related goodies will shortly be winging it's way to you from darkest Oz. Congratulations once again.
To all our non-winners, commiserations. Remember, though, that there will be plenty more opportunities in future to win fabulous prizes simply by being a zomfic fan, so stay logged in to NecroScope in the meantime.
Friday, December 24, 2010
Fiction: Goodnights to Heaven
By way of thanks to all the zomfic fans who subscribe to or regularly visit this blog, NecroScope is extremely proud to offer the following Yuletide treat: an original piece of fiction from Australia's own zombiemeister, Jason Fischer (author of, among other zombie-related goodness, After the World: Gravesend). If you enjoy the following tale (as you doubtless will), be sure to chase up some of Jason's previous zombie-related work via his official website (http://jasonfischer.com.au/).
In the meantime, grab a glass of Christmas Cheer, ease yourself into a comfy chair, and prepare to be thoroughly moved, unsettled and entertained by 'Goodnights to Heaven'.
Don't turn your back on the chimney, though: you never what what might come down it...
It was spotting the man on the roof that made her change direction, and probably saved their lives. He was obviously a lookout, some poor frozen bugger lurking in the mess of old chimneys and tiles, anorak up around his ears. There was no other reason for a breathing body to be sitting up there in the cold.
‘Back this way, Toby,’ Mary whispered, pulling the little boy back around the corner, holding him close. Her heart was racing. Were we seen?
‘I’m tired, Mummy,’ the boy whined softly.
She led him away from that reasonable looking street, a row of terrace houses with most of the windows intact. She pictured the untouched larders, clean beds, maybe left over toys and books for her son. And then she remembered that man on the rooftop, and knew that where one man watched, others waited, and that soon enough this place too would be stripped bare.
They trudged back into streets long since picked over, endless blocks of waste, the houses all cracked open like eggs and open to the elements, doors flapping or off their hinges, windows broken by angry starving kids. And always, always the stacks of bodies, thick on the ground here and putrid, but at least they weren’t up and walking about.
The sun was starting to sink through the rooftops, a thin watery orb sliding down that freezing clear sky. With an eye to the remaining daylight, Mary found a semi-detached house, less damaged than its neighbours. Stepping gingerly over an eviscerated corpse, spread out and rotting on the doorstep, Mary took the boy inside, looking at the thick layers of dirt coating the floors, noting how every corner and nook had trapped the autumn leaves, blown in through the destroyed windows.
‘See that,’ she whispered to the boy, pointing at the grimy floors. ‘No tracks, nothing for a long time. We can stay here.’
‘Mummy, I’m hungry,’ Toby grizzled, looking up at her. His eyes were sunken, his cheek bones far too pronounced. She’d dressed him in several layers of clothes and he still looked like a ghost on legs.
The last of their food had been taken from them at knife-point, by a sad-eyed man who tried to apologise for robbing them, even as he was doing it. He’d left them a can of dog-food, which they’d bolted down as soon as he left, Mary gagging on the gelatin slime. Between them they ate every mouthful, scraping the sides of the tin clean.
That had been three days ago.
They looked through the cupboards and shelves, even checking the mess of drawers that had been pulled out and dumped onto the lino floor. The place had been picked over, and good. Feeling around underneath the kitchen sink, she cried out triumphantly. A single can had fallen behind the drain pipes, overlooked by the human locusts who’d last visited.
“Halved Pears in Syrup!” the faded label read. Hands shaking, Mary worked her can-opener, mouth running when she saw the fat slices of fruit, bobbing in thick liquid. Even though her stomach growled, Mary made sure that Toby ate every single mouthful, saving only a little of the juice for herself.
‘My tummy hurts,’ Toby said, a few minutes after wolfing down the pears. He danced on the spot, clutching at his stomach, which gave an ominous rumbling sound. The toilet stank like a morgue, with a rotting body still clutching the bowl, so Mary helped her son squat over a large saucepan, the boy sobbing as his meal ran right through him.
‘My poor darling, my sweet boy,’ Mary said, wiping his brow. They had a little clean water left, and she let him drink it all. ‘I know, my heart, I know.’
They found a thick quilt in the linen cupboard, and slept in the top of the garage, a converted stable complete with the old hay-loft. With the ladder pulled up they were safe enough, if a walking dead thing should sniff them out.
‘I can see the stars,’ Toby whispered, pointing out through the dusty louvre windows. ‘I’m gonna do my goodnights to heaven.’
Mary clutched her boy close, tucking the quilt in around them. The boards beneath them were hard and cold, and the backpack made for a poor pillow. Her limbs ached with exhaustion.
‘Goodnight Grandpa, and Daddy, and Sally, and Moggy. I love you lots and lots.’ He ended the ritual with a blown kiss, the way he’d always done. Cradled in his mother’s bony arms, the boy was asleep in seconds. Stifling her sobs, Mary cried and cried.
#
‘It’s a special day today,’ Mary told Toby, pointing to her diary. She always recorded temperature, locations visited, numbers of undead seen, her general condition and Toby’s. Bevan had told her she was an obsessive diariser, ‘a mad Samuel Pepys, except you’ve got nothing interesting to write about.’
In the early days of this feral new world, he sure changed his tune as to the usefulness of a diary, and then he was bitten and had to be put down (this event marked in a somewhat shaky hand as having happened on the 5th of February, 2014), marking the end of married life and all of its comfortable nitpickings.
‘It’s Christmas day,’ she said. ‘You might have been too little to remember it, but we used to put up a big tree with lights on it, with presents underneath and everyone would come over for a big roast lunch.’
Toby chewed his lip for a long moment. He always looked thoughtful whenever Mary spoke about the world that once was, as if she was telling tall tales, making things up to keep him cheerful.
‘I do so remember Christmas,’ Toby said. ‘We ate a tin of pudding last year. Daddy put a fire on and he gave me my colouring book.’
‘That’s right. But I’ve got something better for you this year.’
They left the semi-detached, Mary making a careful note of its position in her diary, wrote “A SAFE PLACE?”. The two walked through the streets, pausing only once to hide from a small pack of zombies, leathery corpses weaving all over the street like drunks.
Roughly twelve corpses, when last month they’d run from a mob in this neighbourhood that was three hundred strong. Suits me fine, Mary thought. Move on, you smelly buggers.
They waited in an abandoned combi van for the mob to pass, and Mary tipped a sprinkling of vinegar onto herself and Toby. It would mask their scent, confuse the keen senses of the undead. If they kept out of sight, they would be fine.
We creep through this strange new world like a pair of mice, Mary thought. Licking her cracked lips, she eyed off the vinegar, perhaps two fingers worth left in the bottle, but wrote it off as a bad idea. It will only make us thirsty, and we need every drop of this stuff, need it to move around safely.
When the last faint moan had faded into the distance, they slid out of the van, walked quickly. Once, Mary heard arguing, a man and a woman, and lingered on the corner of main street, wondering if it was worth the risk. It would take them straight to where they were going. A moment later and there was a gunshot, the sharp crack like a fat hand swatting the life out of something.
There was no scream, and the angry words had stopped. Mary scooped Toby up into her arms and ran back the way she’d come, changing streets, slipping down quiet alleyways, doubling back on herself until she was thoroughly lost. The young boy trembled in her arms, and she felt the warm trickle of his urine as it soaked through the seat of his pants.
‘It’s okay mate, we won’t see any of the bad people,’ she said, stroking his hair. ‘We’re okay now.’
The street directory gave her an alternate route, through the old industrial area. They’d passed through about nine months ago (9th November, 2013 to be precise, “STUFF ALL HERE” Bevan had added to her brief jottings), and the place was of no interest to anyone alive – all the fuel was gone, as well as anything useful.
A handful of the rotting walkers spotted them in the old cement plant, and gave limping chase through the tank farms and plant rooms. Mary dabbed on the last of the vinegar, making sure to rub the last few drops into Toby’s face, behind his ears, all over his hands. Befuddled, the slavering monsters shuffled past their hiding spot, close enough that Mary could see the fat bloat of rot pushing at leathery skin from the inside, eyes frosted like a fish hooked and bled out.
Look at them. They’re having trouble walking, Mary thought. Their joints are all fused together or something. A fat chunk of maggot-ridden flesh slid off a zombie’s back, dropping onto the floor at their feet. Gagging quietly, Mary fought the churning rebellion in her empty stomach.
The stink of the undead things washed over them, the decomposed corpse smell that no-one should ever have to breathe in, and that time did not improve. She held Toby close, covering his eyes and ears, barely daring to breathe. Her boy shook, but he was smart for his age, knew how to hide from the undead.
Slipping through a chain-link fence the woman and boy were across a vacant block, sneaking through the car-choked ruins of the old highway, stopping still when the gusting wind rocked a dead car on its springs. There were infected bodies in some cars, too stupid to get themselves out, quiet enough to snatch you should you pass too close.
‘There’s the city,’ Mary said, pointing at the mess of skyscrapers, the glass edifices peppered with broken windows, some of the buildings burnt out in their entirety. ‘I’ve got a nice surprise for you Toby, but you have to keep close and be very quiet. It’s dangerous here.’
‘I know, Mum,’ Toby sighed. ‘I’m not stupid.’
'Look at me,’ Mary said, kneeling down so that her face was level with the boy’s. ‘I don’t mean to nag at you. I just don’t want to see you get hurt, okay?’
‘’kay,’ Toby mumbled.
‘Just keep your eyes open and tell me if you see anything,’ she said. ‘It might be a bit smelly in there, so try to breathe through your mouth.’
Smelly was the understatement of the year. The streets were carpeted with bodies, and little bones crunched with every step. In some places the footpaths was slick with gore, and it was all Mary could do not to slip over. She tried her best not to think about the diseases they were wallowing through, promised them both a bath the moment she could boil up enough water.
Where are all the zombies? she thought. The last time they’d looked at the place through Bevan’s binoculars, it was a hive of dead things, an enormous tomb. Millions of dead things, hungry for human flesh, and no point dropping in to Tesco’s if you didn’t want to be nibbled on.
But now, there were only a handful of zombies walking the street, and they were in bad shape. A body that was little more than sinew and bone was standing in a doorway, swaying gently, and another was in an alleyway, knocking the bins over, moaning in confusion.
‘Look, they’re sick Mummy,’ Toby said. What was once a nun dragged herself down the front steps of a shop, nothing left to her but the top half and a little tail of spine. Its descent was laborious, and when it reached the bottom it lay down with a sigh, eyeing off mother and son with malevolence. But apart from one shuddering attempt to rise, it did not move.
‘That bloody nun should be chasing us to the ends of the earth,’ Mary said. ‘Maybe it’s kicked the habit.’
Toby looked at her with confusion.
‘Don’t worry, it wasn’t that funny. Come on.’
Some minutes later they stood hand-in-hand before a huge shopping complex, the car-parks completely coated with rotting flesh. Ignoring the smell and the flies, Mary led Toby towards an enormous store, with an enormous giraffe mascot blazoned on the side of the building.
The glass sign had been smashed, but there was enough left to spell out TOYS in ten foot high letters. When Toby saw this, a gap-toothed smile shot out across his filthy face, and he darted forward, dragging his mother by the hand, shouting at her to hurry up.
‘Merry Christmas Kid,’ she laughed.
#
25 December, 2014:
The zombies are dying out, pun intended. Looks like we’re the first ones game to come back here. A horrid smell everywhere, someone needs to fire the maid! Found two cans beans, one box ramen noodles, one can of Glen 20 to disinfect EVERYTHING.
Toby had a V. good day, all the bikes had been pinched months ago but no-one wanted the other stuff. Found a box of batteries and he had the time of his life – I’ve never seen so many robots and dinosaurs walking around.
Turns out that happiness still is a kid in a toy store.
In the meantime, grab a glass of Christmas Cheer, ease yourself into a comfy chair, and prepare to be thoroughly moved, unsettled and entertained by 'Goodnights to Heaven'.
Don't turn your back on the chimney, though: you never what what might come down it...
Goodnights to Heaven
by Jason Fischer
It was spotting the man on the roof that made her change direction, and probably saved their lives. He was obviously a lookout, some poor frozen bugger lurking in the mess of old chimneys and tiles, anorak up around his ears. There was no other reason for a breathing body to be sitting up there in the cold.
‘Back this way, Toby,’ Mary whispered, pulling the little boy back around the corner, holding him close. Her heart was racing. Were we seen?
‘I’m tired, Mummy,’ the boy whined softly.
She led him away from that reasonable looking street, a row of terrace houses with most of the windows intact. She pictured the untouched larders, clean beds, maybe left over toys and books for her son. And then she remembered that man on the rooftop, and knew that where one man watched, others waited, and that soon enough this place too would be stripped bare.
They trudged back into streets long since picked over, endless blocks of waste, the houses all cracked open like eggs and open to the elements, doors flapping or off their hinges, windows broken by angry starving kids. And always, always the stacks of bodies, thick on the ground here and putrid, but at least they weren’t up and walking about.
The sun was starting to sink through the rooftops, a thin watery orb sliding down that freezing clear sky. With an eye to the remaining daylight, Mary found a semi-detached house, less damaged than its neighbours. Stepping gingerly over an eviscerated corpse, spread out and rotting on the doorstep, Mary took the boy inside, looking at the thick layers of dirt coating the floors, noting how every corner and nook had trapped the autumn leaves, blown in through the destroyed windows.
‘See that,’ she whispered to the boy, pointing at the grimy floors. ‘No tracks, nothing for a long time. We can stay here.’
‘Mummy, I’m hungry,’ Toby grizzled, looking up at her. His eyes were sunken, his cheek bones far too pronounced. She’d dressed him in several layers of clothes and he still looked like a ghost on legs.
The last of their food had been taken from them at knife-point, by a sad-eyed man who tried to apologise for robbing them, even as he was doing it. He’d left them a can of dog-food, which they’d bolted down as soon as he left, Mary gagging on the gelatin slime. Between them they ate every mouthful, scraping the sides of the tin clean.
That had been three days ago.
They looked through the cupboards and shelves, even checking the mess of drawers that had been pulled out and dumped onto the lino floor. The place had been picked over, and good. Feeling around underneath the kitchen sink, she cried out triumphantly. A single can had fallen behind the drain pipes, overlooked by the human locusts who’d last visited.
“Halved Pears in Syrup!” the faded label read. Hands shaking, Mary worked her can-opener, mouth running when she saw the fat slices of fruit, bobbing in thick liquid. Even though her stomach growled, Mary made sure that Toby ate every single mouthful, saving only a little of the juice for herself.
‘My tummy hurts,’ Toby said, a few minutes after wolfing down the pears. He danced on the spot, clutching at his stomach, which gave an ominous rumbling sound. The toilet stank like a morgue, with a rotting body still clutching the bowl, so Mary helped her son squat over a large saucepan, the boy sobbing as his meal ran right through him.
‘My poor darling, my sweet boy,’ Mary said, wiping his brow. They had a little clean water left, and she let him drink it all. ‘I know, my heart, I know.’
They found a thick quilt in the linen cupboard, and slept in the top of the garage, a converted stable complete with the old hay-loft. With the ladder pulled up they were safe enough, if a walking dead thing should sniff them out.
‘I can see the stars,’ Toby whispered, pointing out through the dusty louvre windows. ‘I’m gonna do my goodnights to heaven.’
Mary clutched her boy close, tucking the quilt in around them. The boards beneath them were hard and cold, and the backpack made for a poor pillow. Her limbs ached with exhaustion.
‘Goodnight Grandpa, and Daddy, and Sally, and Moggy. I love you lots and lots.’ He ended the ritual with a blown kiss, the way he’d always done. Cradled in his mother’s bony arms, the boy was asleep in seconds. Stifling her sobs, Mary cried and cried.
#
‘It’s a special day today,’ Mary told Toby, pointing to her diary. She always recorded temperature, locations visited, numbers of undead seen, her general condition and Toby’s. Bevan had told her she was an obsessive diariser, ‘a mad Samuel Pepys, except you’ve got nothing interesting to write about.’
In the early days of this feral new world, he sure changed his tune as to the usefulness of a diary, and then he was bitten and had to be put down (this event marked in a somewhat shaky hand as having happened on the 5th of February, 2014), marking the end of married life and all of its comfortable nitpickings.
‘It’s Christmas day,’ she said. ‘You might have been too little to remember it, but we used to put up a big tree with lights on it, with presents underneath and everyone would come over for a big roast lunch.’
Toby chewed his lip for a long moment. He always looked thoughtful whenever Mary spoke about the world that once was, as if she was telling tall tales, making things up to keep him cheerful.
‘I do so remember Christmas,’ Toby said. ‘We ate a tin of pudding last year. Daddy put a fire on and he gave me my colouring book.’
‘That’s right. But I’ve got something better for you this year.’
They left the semi-detached, Mary making a careful note of its position in her diary, wrote “A SAFE PLACE?”. The two walked through the streets, pausing only once to hide from a small pack of zombies, leathery corpses weaving all over the street like drunks.
Roughly twelve corpses, when last month they’d run from a mob in this neighbourhood that was three hundred strong. Suits me fine, Mary thought. Move on, you smelly buggers.
They waited in an abandoned combi van for the mob to pass, and Mary tipped a sprinkling of vinegar onto herself and Toby. It would mask their scent, confuse the keen senses of the undead. If they kept out of sight, they would be fine.
We creep through this strange new world like a pair of mice, Mary thought. Licking her cracked lips, she eyed off the vinegar, perhaps two fingers worth left in the bottle, but wrote it off as a bad idea. It will only make us thirsty, and we need every drop of this stuff, need it to move around safely.
When the last faint moan had faded into the distance, they slid out of the van, walked quickly. Once, Mary heard arguing, a man and a woman, and lingered on the corner of main street, wondering if it was worth the risk. It would take them straight to where they were going. A moment later and there was a gunshot, the sharp crack like a fat hand swatting the life out of something.
There was no scream, and the angry words had stopped. Mary scooped Toby up into her arms and ran back the way she’d come, changing streets, slipping down quiet alleyways, doubling back on herself until she was thoroughly lost. The young boy trembled in her arms, and she felt the warm trickle of his urine as it soaked through the seat of his pants.
‘It’s okay mate, we won’t see any of the bad people,’ she said, stroking his hair. ‘We’re okay now.’
The street directory gave her an alternate route, through the old industrial area. They’d passed through about nine months ago (9th November, 2013 to be precise, “STUFF ALL HERE” Bevan had added to her brief jottings), and the place was of no interest to anyone alive – all the fuel was gone, as well as anything useful.
A handful of the rotting walkers spotted them in the old cement plant, and gave limping chase through the tank farms and plant rooms. Mary dabbed on the last of the vinegar, making sure to rub the last few drops into Toby’s face, behind his ears, all over his hands. Befuddled, the slavering monsters shuffled past their hiding spot, close enough that Mary could see the fat bloat of rot pushing at leathery skin from the inside, eyes frosted like a fish hooked and bled out.
Look at them. They’re having trouble walking, Mary thought. Their joints are all fused together or something. A fat chunk of maggot-ridden flesh slid off a zombie’s back, dropping onto the floor at their feet. Gagging quietly, Mary fought the churning rebellion in her empty stomach.
The stink of the undead things washed over them, the decomposed corpse smell that no-one should ever have to breathe in, and that time did not improve. She held Toby close, covering his eyes and ears, barely daring to breathe. Her boy shook, but he was smart for his age, knew how to hide from the undead.
Slipping through a chain-link fence the woman and boy were across a vacant block, sneaking through the car-choked ruins of the old highway, stopping still when the gusting wind rocked a dead car on its springs. There were infected bodies in some cars, too stupid to get themselves out, quiet enough to snatch you should you pass too close.
‘There’s the city,’ Mary said, pointing at the mess of skyscrapers, the glass edifices peppered with broken windows, some of the buildings burnt out in their entirety. ‘I’ve got a nice surprise for you Toby, but you have to keep close and be very quiet. It’s dangerous here.’
‘I know, Mum,’ Toby sighed. ‘I’m not stupid.’
'Look at me,’ Mary said, kneeling down so that her face was level with the boy’s. ‘I don’t mean to nag at you. I just don’t want to see you get hurt, okay?’
‘’kay,’ Toby mumbled.
‘Just keep your eyes open and tell me if you see anything,’ she said. ‘It might be a bit smelly in there, so try to breathe through your mouth.’
Smelly was the understatement of the year. The streets were carpeted with bodies, and little bones crunched with every step. In some places the footpaths was slick with gore, and it was all Mary could do not to slip over. She tried her best not to think about the diseases they were wallowing through, promised them both a bath the moment she could boil up enough water.
Where are all the zombies? she thought. The last time they’d looked at the place through Bevan’s binoculars, it was a hive of dead things, an enormous tomb. Millions of dead things, hungry for human flesh, and no point dropping in to Tesco’s if you didn’t want to be nibbled on.
But now, there were only a handful of zombies walking the street, and they were in bad shape. A body that was little more than sinew and bone was standing in a doorway, swaying gently, and another was in an alleyway, knocking the bins over, moaning in confusion.
‘Look, they’re sick Mummy,’ Toby said. What was once a nun dragged herself down the front steps of a shop, nothing left to her but the top half and a little tail of spine. Its descent was laborious, and when it reached the bottom it lay down with a sigh, eyeing off mother and son with malevolence. But apart from one shuddering attempt to rise, it did not move.
‘That bloody nun should be chasing us to the ends of the earth,’ Mary said. ‘Maybe it’s kicked the habit.’
Toby looked at her with confusion.
‘Don’t worry, it wasn’t that funny. Come on.’
Some minutes later they stood hand-in-hand before a huge shopping complex, the car-parks completely coated with rotting flesh. Ignoring the smell and the flies, Mary led Toby towards an enormous store, with an enormous giraffe mascot blazoned on the side of the building.
The glass sign had been smashed, but there was enough left to spell out TOYS in ten foot high letters. When Toby saw this, a gap-toothed smile shot out across his filthy face, and he darted forward, dragging his mother by the hand, shouting at her to hurry up.
‘Merry Christmas Kid,’ she laughed.
#
25 December, 2014:
The zombies are dying out, pun intended. Looks like we’re the first ones game to come back here. A horrid smell everywhere, someone needs to fire the maid! Found two cans beans, one box ramen noodles, one can of Glen 20 to disinfect EVERYTHING.
Toby had a V. good day, all the bikes had been pinched months ago but no-one wanted the other stuff. Found a box of batteries and he had the time of his life – I’ve never seen so many robots and dinosaurs walking around.
Turns out that happiness still is a kid in a toy store.
THE END.
Labels:
christmas,
fiction,
goodnights to heaven,
jason fischer
Tuesday, December 21, 2010
Review: Undead
John Russo, 2010, Penguin Australia
As a zomfic fanatic, one of the things that most gladdens my heart about the current boom is - as I've mentioned in previous reviews - that many older zombie-related publications are being re-released, and in many cases finally garnering the readership they deserved the first time around. The latest of these is Undead, a two-fer from Night of the Living Dead scriptwriter John A. Russo, which comprises Russo's original 1974 novelisation of the movie he co-wrote with George A. Romero, plus Return of the Living Dead, the original novel that later became the basis for the 1985 movie of the same title.
I'll begin by stating that Undead is a book all self-respecting zomfans should own. I mean, it's John A. Russo, after all. As far as the contents go, if you've seen NotLD, you already know the tale, although Russo certainly makes an effort to flesh out the characters a little more, to introduce some backstory. Return of the Living Dead is written as a continuation of the same story - bearing almost no resemblance to the blockbuster movie - taking place a decade after the events of NotLD, and indeed featuring at least one of the original characters.
While NotLD is an enjoyable enough read, I must admit to being somewhat disappointed with Return: Russo's dry, almost completely unemotive writing style perfectly recalls the documentary-like style of the NotLD screenplay, but without a similar cinematic template to ensure similar reader expectations of Return, the latter novel comes across as a bit boring: events are reported matter-of-factly, with little apparent attempt to engage the emotions of the reader. There's also no evidence whatsoever of the biting black humour that runs right through Russo's wonderful 1985 novelisation of the Return of the Living Dead movie, which is a great loss. That said, there's certainly sufficient inventiveness and momentum of plot to ensure continued page-turning, but ultimately Return of the Living Dead reads like a pastiche of classic zombie movies.
Still, worth reading, nonetheless. Buy and read it for the nostalgia value, and in the knowledge that the profits will actually go to the rightful party (and if you know your NotLD history, you'll understand what I mean).
As a zomfic fanatic, one of the things that most gladdens my heart about the current boom is - as I've mentioned in previous reviews - that many older zombie-related publications are being re-released, and in many cases finally garnering the readership they deserved the first time around. The latest of these is Undead, a two-fer from Night of the Living Dead scriptwriter John A. Russo, which comprises Russo's original 1974 novelisation of the movie he co-wrote with George A. Romero, plus Return of the Living Dead, the original novel that later became the basis for the 1985 movie of the same title.
I'll begin by stating that Undead is a book all self-respecting zomfans should own. I mean, it's John A. Russo, after all. As far as the contents go, if you've seen NotLD, you already know the tale, although Russo certainly makes an effort to flesh out the characters a little more, to introduce some backstory. Return of the Living Dead is written as a continuation of the same story - bearing almost no resemblance to the blockbuster movie - taking place a decade after the events of NotLD, and indeed featuring at least one of the original characters.
While NotLD is an enjoyable enough read, I must admit to being somewhat disappointed with Return: Russo's dry, almost completely unemotive writing style perfectly recalls the documentary-like style of the NotLD screenplay, but without a similar cinematic template to ensure similar reader expectations of Return, the latter novel comes across as a bit boring: events are reported matter-of-factly, with little apparent attempt to engage the emotions of the reader. There's also no evidence whatsoever of the biting black humour that runs right through Russo's wonderful 1985 novelisation of the Return of the Living Dead movie, which is a great loss. That said, there's certainly sufficient inventiveness and momentum of plot to ensure continued page-turning, but ultimately Return of the Living Dead reads like a pastiche of classic zombie movies.
Still, worth reading, nonetheless. Buy and read it for the nostalgia value, and in the knowledge that the profits will actually go to the rightful party (and if you know your NotLD history, you'll understand what I mean).
Sunday, December 19, 2010
Review: Dave: Zombie Hunter #1
There are two well-worn approaches a creator can take when it comes to zombies: 1) the serious, splattery approach, often with a between-the-lines critique of modern society, or 2) comedy (or more accurately, zomedy). Dave: Zombie Hunter, the brainchild of writer Stewart Cook and artist Timothy Ide, sits firmly in the second camp. Not only is it humorous, Dave: Zombie Hunter is downright strange in places.
The path to publication for issue #1 has taken fourteen years and some false starts according to the author's message at the end of the comic book. The concept began as a film script, but after illustrator Ide became involved by drawing up storyboards for the proposed film, writer Cook liked the art so much, he suggested the comic book format instead. Fortunately for Cook, this decision has paid dividends because the story as filmed would have been firmly entrenched in Z-grade obscurity without a decent budget for effects and experienced actors, whereas Ide's skill as an artist brings to life many of the script's over the top moments in a manner comparable to the best comic book artists in Australia.
The story itself is surprisingly engaging and avoids the cliche of other zombie comic book stories, which tend to be a haze of run-action-run scenes with little in the way of surprises or character development. The plot is brisk and the action segues nicely into a number of comedy set pieces, which is no mean feat in just 21 pages.
Protagonist Dave is your typical Aussie loser, a man who runs 'Dave's Zombie Hunting and Grocery Delivery Service'. Unfortunately for Dave, the zombie apocalypse proves to be all too real, and the mysterious Dr Magus (who might have some insight into the nature of the zombie threat) calls for his assistance, setting Dave off on his quest. For a bloke who added the 'zombie hunting' side to his business as a joke, he proves surprisingly adept at dispatching the undead.
Humorous highlights of the issue centre on Dave's best mate Chuck (although the name is purely coincidental, I like to think it's a reference to our very own Keeper of the Dead, Chuck McKenzie), who manages to seduce a zombie chick he'd had a crush on without realising she was undead, and who later, brings an electric carving knife to a fight - without an extension cord! There's another moment towards the end where Dave's sexy girlfriend Vera goes all Bruce Campbell on the zombies, right down to the part where she demands 'some sugar' from Dave.
The plot takes a dip into the bizarre at the end with the arrival of 'The Montys', a sixties-style flower power family in the mould of The Partridge Family, and events descend into a weird apology singalong. The whole thing is just downright bizarre, but you know what? It works!
The downside to Dave is that the story sits somewhere between an Australian and American audience - and suffers for it. An Aussie larrikin, with references to Australian cultural icons such as Rove, Dave also totes a .45 automatic and heads for a place called 'Apple County' (an allusion to California's Orange County, perhaps?). This is a minor criticism, but without the story being grounded in a clear cultural identity, it feels a little generic, which is often a danger with zombie fiction. If Dave had been even more of a sexist Aussie bloke (a tough call, to be sure!), with a clear local setting, this would have enhanced the story's appeal.
Another, admittedly minor, complaint is the cover, which would have been more striking as full-colour poster art rather than upsized black and white panel art. The artwork inside, however, is top notch for an Aussie indie. Full marks to Tim Ide for bringing the story - and the humour - to life. It's a difficult job to make horrific art humorous, but Ide does it with ease.
Part 1 (of what appears to be a two-part story) sets the pace, introduces all the elements and key players, and then throws a couple of curve balls to keep the reader guessing about what's in store in part 2. I'm genuinely looking forward to the conclusion of Dave: Zombie Hunter - and to how Cook ties up the plot threads. One thing can be certain: there will be blood and more than a few laughs.
Dave: Zombie Hunter can be purchased from the creators' website.
This review is part of the 2010 Australian Horror Comics review series by Shane Jiraiya Cummings. To read other reviews in this series, search HorrorScope for the Labels 'Oz Horror Comics'.
The path to publication for issue #1 has taken fourteen years and some false starts according to the author's message at the end of the comic book. The concept began as a film script, but after illustrator Ide became involved by drawing up storyboards for the proposed film, writer Cook liked the art so much, he suggested the comic book format instead. Fortunately for Cook, this decision has paid dividends because the story as filmed would have been firmly entrenched in Z-grade obscurity without a decent budget for effects and experienced actors, whereas Ide's skill as an artist brings to life many of the script's over the top moments in a manner comparable to the best comic book artists in Australia.
The story itself is surprisingly engaging and avoids the cliche of other zombie comic book stories, which tend to be a haze of run-action-run scenes with little in the way of surprises or character development. The plot is brisk and the action segues nicely into a number of comedy set pieces, which is no mean feat in just 21 pages.
Protagonist Dave is your typical Aussie loser, a man who runs 'Dave's Zombie Hunting and Grocery Delivery Service'. Unfortunately for Dave, the zombie apocalypse proves to be all too real, and the mysterious Dr Magus (who might have some insight into the nature of the zombie threat) calls for his assistance, setting Dave off on his quest. For a bloke who added the 'zombie hunting' side to his business as a joke, he proves surprisingly adept at dispatching the undead.
Humorous highlights of the issue centre on Dave's best mate Chuck (although the name is purely coincidental, I like to think it's a reference to our very own Keeper of the Dead, Chuck McKenzie), who manages to seduce a zombie chick he'd had a crush on without realising she was undead, and who later, brings an electric carving knife to a fight - without an extension cord! There's another moment towards the end where Dave's sexy girlfriend Vera goes all Bruce Campbell on the zombies, right down to the part where she demands 'some sugar' from Dave.
The plot takes a dip into the bizarre at the end with the arrival of 'The Montys', a sixties-style flower power family in the mould of The Partridge Family, and events descend into a weird apology singalong. The whole thing is just downright bizarre, but you know what? It works!
The downside to Dave is that the story sits somewhere between an Australian and American audience - and suffers for it. An Aussie larrikin, with references to Australian cultural icons such as Rove, Dave also totes a .45 automatic and heads for a place called 'Apple County' (an allusion to California's Orange County, perhaps?). This is a minor criticism, but without the story being grounded in a clear cultural identity, it feels a little generic, which is often a danger with zombie fiction. If Dave had been even more of a sexist Aussie bloke (a tough call, to be sure!), with a clear local setting, this would have enhanced the story's appeal.
Another, admittedly minor, complaint is the cover, which would have been more striking as full-colour poster art rather than upsized black and white panel art. The artwork inside, however, is top notch for an Aussie indie. Full marks to Tim Ide for bringing the story - and the humour - to life. It's a difficult job to make horrific art humorous, but Ide does it with ease.
Part 1 (of what appears to be a two-part story) sets the pace, introduces all the elements and key players, and then throws a couple of curve balls to keep the reader guessing about what's in store in part 2. I'm genuinely looking forward to the conclusion of Dave: Zombie Hunter - and to how Cook ties up the plot threads. One thing can be certain: there will be blood and more than a few laughs.
Dave: Zombie Hunter can be purchased from the creators' website.
This review is part of the 2010 Australian Horror Comics review series by Shane Jiraiya Cummings. To read other reviews in this series, search HorrorScope for the Labels 'Oz Horror Comics'.
Labels:
Dave: Zombie Hunter,
Oz Horror Comics,
Review,
Stewart Cook,
Timothy Ide
Monday, December 13, 2010
Review: Grace
Dir. Paul Solet, 2009, Madman Entertainment
While eight months pregnant, Madeline's dream of motherhood becomes a nightmare when an horrific car accident leaves both her husband and her unborn child dead. Refusing to acknowledge the tragedy, Madeline brings the child to term - only to discover that, impossibly, baby Grace has survived. But is it truly a miracle, or something rather more sinister? For Grace is a strange child, with unthinkable needs. And baby needs to feed...
Grace is one of those utterly uncompromising horror movies - and I can think of few other movies that so absolutely deserve the epithet of 'horror' - that begins immediately with the more mundane horrors of strained spousal and stifling familial relationships before graduating to the truly awful horror of the death of a child, and onwards to the supernatural horrors at the centre of the plot. The script is tight and almost unbearably tense throughout; the cast performances are all excellent and masterfully understated; production values are superb.
There's likely to be some argument amongst fans of the walking dead as to whether Grace is truly a zombie movie; to my mind, though, any film revolving around a dead (and apparently decaying) child who requires blood (and more) to survive certainly qualifies.
In a nutshell, Grace is one of the most genuinely horrific and emotionally upsetting pieces of cinematic horror I've ever seen, and one likely to become regarded as a minor masterpiece by those who appreciate style and substance over in-your-face scares and gore.
While eight months pregnant, Madeline's dream of motherhood becomes a nightmare when an horrific car accident leaves both her husband and her unborn child dead. Refusing to acknowledge the tragedy, Madeline brings the child to term - only to discover that, impossibly, baby Grace has survived. But is it truly a miracle, or something rather more sinister? For Grace is a strange child, with unthinkable needs. And baby needs to feed...
Grace is one of those utterly uncompromising horror movies - and I can think of few other movies that so absolutely deserve the epithet of 'horror' - that begins immediately with the more mundane horrors of strained spousal and stifling familial relationships before graduating to the truly awful horror of the death of a child, and onwards to the supernatural horrors at the centre of the plot. The script is tight and almost unbearably tense throughout; the cast performances are all excellent and masterfully understated; production values are superb.
There's likely to be some argument amongst fans of the walking dead as to whether Grace is truly a zombie movie; to my mind, though, any film revolving around a dead (and apparently decaying) child who requires blood (and more) to survive certainly qualifies.
In a nutshell, Grace is one of the most genuinely horrific and emotionally upsetting pieces of cinematic horror I've ever seen, and one likely to become regarded as a minor masterpiece by those who appreciate style and substance over in-your-face scares and gore.
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